Rage Agains the Machine Album Cover
Rage Against the Car, self-titled album cover featuring Thich Quang Duc, 1992.
Rod Meade Sperry discusses the image of the burning monk on Rage Against The Automobile's 1992 album.
Outside of Howard Beale from the classic film Network, cypher in the popular culture's consciousness conveys "I'yard mad as hell, and I'm not going to have this anymore!" similar the photograph shown hither, depicting Vietnamese Buddhist monk Thich Quang Duc setting himself on fire to protest his authorities's oppression of his organized religion.
So it'due south fitting that Rage Against the Machine, a band whose music embodied large-scale protestation — on the corporation'due south dime, much like Howard Beale! — would utilize the image for its eponymous debut. Rage weren't Buddhists, but they knew that this photograph might make their already-long band name worth at least a one thousand words.
In fact, the epitome turns out to be worthy of a $forty,000 grant. Afterward the jump, via Bates College: the story of Thich Quang Duc, and of Trian Nguyen, the Bates professor who hopes to more fully discover the monk whose 1963 self-immolation was not only one of the defining acts of the Vietnam War years, only ane of the virtually significant images of the modern age.
On June 11, 1963, at a busy intersection in the Due south Vietnamese majuscule of Saigon, Buddhist monk Thich Quang Duc set himself on fire to protest the government's discrimination against the nation's Buddhist majority.
Captured in an Associated Press photograph that was distributed worldwide, this horrific act launched a series of events resulting in the autumn of the Ngo Dinh Diem regime. Thich Quang Duc's cocky-immolation also came to symbolize America's unpopular involvement in Vietnam, and Malcolm Browne's photo became an icon of the era.
Professor Trian Nguyen, who teaches art and Asian studies at Bates, has received an American Quango of Learned Societies fellowship for field research intended to accost what he perceives equally the scholarly neglect in recent decades of this figure, who remains highly revered among Vietnamese Buddhists. Nguyen was one of 57 to receive the ACLS grant out of a puddle of 1,136 applicants.
"Many questions related to this Vietnamese senior monk and his terminal human activity are still unanswered," says Nguyen, banana professor of art and visual culture and the Luce Junior Professor of Asian Studies.
In his projection, Nguyen will study Thich Quang Duc'southward personal items and letters, books, legal records and other documents kept at Buddhist temples in Vietnam, and some two dozen interviews with people involved in events around the monk'due south cocky-sacrifice.
Culminating in the first full-length volume about Thich Quang Duc in English language, the enquiry volition bring to light pregnant new facts most the monk and his significance inside the cultural context of the fourth dimension. Nguyen hopes that the projection volition also reawaken awareness, within and outside Vietnam, of both the historic importance of the monk'due south self-sacrifice and the existence of the enquiry materials.
The completed work, Nguyen writes in his ACLS proposal, "will make a substantial and original contribution to the understanding of both this famous monk and Vietnamese Buddhist culture and history in the mid-20th century."
The ACLS advances studies in all fields of the humanities and the social sciences, and aims to maintain and strengthen relations among national societies devoted to such studies.
Nguyen came to Bates in 2000 nether the auspices of a grant from the Henry Luce Foundation, and is the kickoff faculty member to teach Asian art history at Bates. He holds a doctorate in Asian fine art history from the Academy of California, Berkeley, and obtained his master's degree in theological studies at Harvard Divinity School.
Nguyen'due south primary enquiry situates Buddhist art and architecture within the religious, political and social conditions of Southeast Asian culture. He has a item interest in Vietnam. His teaching covers a broad range of topics in Asian fine art history, including the art of Zen Buddhism and Buddhist architecture, storytelling in Asian art and monuments of Southeast Asia.
Source: https://www.lionsroar.com/uncovering-the-buddhist-monk-at-the-center-of-one-of-the-most-significant-images-of-the-modern-age-2/
0 Response to "Rage Agains the Machine Album Cover"
Post a Comment